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RECORD I

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RECORD I

One window.

Included with every scanner.

RECORD I runs the transport, the light and your camera's shutter from one screen on your Mac, then turns every frame into a positive in your own look. It comes with KBS MKI and MFS MKI. No licence to buy, no subscription.

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RECORD
I
Capture
Help
V1.0
Setup
Camera, controller and shutter release
3 of 3 ready
Collapse
CameraLive viewConnected
SourceUGREEN 15389
Disconnect
ControllerTransport, LEDsConnected
Serial port/dev/cu.usbmodem832101
Disconnect
Shutter releaseUSB-CConnected
Camera bodyFujifilm · USB-C
Disconnect
Illumination
High CRI LED panel
White
RGB
Manual
W
R
G
B
Single white exposure.
Film
Carrier and roll length
Format35mm
Frames per roll
36
Auto film bounds
1D profile
Live · UGREEN 15389
3:2 · 6000 × 400001 01A · 35MM
01071319253136
Captured
00 / 36
Feed film
At home
Frame 01 / 36

This is the real interface. Press play, drag the film, switch the light.

Connect. Light. Advance. Record.

Camera, controller and shutter release each show their status. Play unlocks when all three are ready.

White for a single exposure, RGB for red, green and blue in sequence, or set each channel yourself.

Press Space and the roll starts. The film stops on every frame.

Each frame arrives as a RAW file, numbered by its place on the strip.

RECORD
I
Capture
Help
V1.0
Setup
Camera, controller and shutter release
2 of 3 ready
Collapse
CameraLive viewConnected
SourceUGREEN 15389
Disconnect
ControllerTransport, LEDsConnected
Serial port/dev/cu.usbmodem832101
Disconnect
Shutter releaseUSB-COffline
Camera bodyFujifilm · USB-C
Find
Illumination
High CRI LED panel
White
RGB
Manual
W
R
G
B
Single white exposure.
Film
Carrier and roll length
Format35mm
Frames per roll
36
Auto film bounds
1D profile
Live · UGREEN 15389
3:2 · 6000 × 400001 01A · 35MM
01071319253136
Captured
00 / 36
Feed film
At home
Frame 01 / 36

From negative to your look.

Capture is the quick part. RECORD I then converts every frame to a positive and learns how you grade, so the next roll opens in your style.

C-41

ECN-2

B&W

E-6

A pipeline for each process.

C-41, ECN-2, black and white and E-6 each get their own conversion: orange mask removal from a film base sample, inversion and a colour transform per stock, trained against Noritsu and Flextight reference scans.

RECORD
I
Capture
Develop
Style
Help
V1.0
Roll22 frames · 0 developed
RECORD…amples
Rotate and cropReset
To roll
Straighten degrees0.0°
Crop to selection
Image area
Style
ProfileMy style
Film stockOther C-41 colour negative
This frame carries its own grade; the engine learns from what you export.
Show base conversion (B)
Pre-grade roll
Accept confident
Film baseAuto
Clear rebate (left, right)
T 0.173 / 0.226 / 0.090
Base from selection
Share leader reading across the roll
Negative
Positive
Split
Fit
100 %
Not developed
POSITIVE · NAMIBIA-349.ARW · 6376×9568 PXChoose a frame to develop.
Frame 19 / 22
Export frame
Export roll
To: Developed
HistogramBlack 0.3 % · White 0.0 %
Copy
Paste
To all
Tone
Colour
Detail
Curves
ToneReset
From negative
Auto per frame
Full range
Flextight print
Exposure stops+0.27
Contrast 1.08
Blacks +1
Whites 0
Saturation Lab1.11
RECORD
I
Capture
Develop
Style
Help
V1.0
ProfilesOne look per person or customer
New
My style
14 frames · 2 stocks
Learn from my edits
Develop grades every frame with the active profile and logs what you export or leave. Switch profiles per customer; each one learns on its own.
My styleLearned per film stock · offsets from the lab base look
Learning on
Kodak Portra 800Learning12 frames · mean offset
You run Kodak Portra 800 about 200 K warmer than the base, more contrast, with higher saturation.
ACCURACY TREND
Edit distance 0.013 · Accept 14 % · 7 judged
SNAPSHOTS
Live (no snapshot)
Last graded 10. Oct 2026
Kodak Portra 400Learning2 frames · mean offset
You run Kodak Portra 400 about 1000 K warmer than the base, 1.8 stops brighter, lifted shadows, brighter highlights, less cyan, with more clarity.
ACCURACY TREND
ONE RUN
Edit distance 0.000 · Accept 100 % · 1 judged
SNAPSHOTS
Live (no snapshot)
Last graded 10. Oct 2026
HousekeepingExclude a date range (a bad week of experiments): the frames stay in the log, the models are rebuilt without them.
From 23.10.2026 To 30.10.2026Exclude range
Reset modelsForget edits…
Roll filed as Kodak Portra 800.

Your style, film by film.

Every edit teaches the Personal Style Engine. New frames open already graded in your look, kept separate for each stock.

The sliders stay yours.

Suggestions land on the normal controls. One key switches between the base conversion and your style. Change anything and it learns again.

RECORD
I
Capture
Develop
Style
Help
V1.0
Roll22 frames · 0 developed
RECORD…amples
Rotate and cropReset
To roll
Straighten degrees0.0°
Crop to selection
Image area
Style
ProfileMy style
Film stockKodak Portra 800
This frame carries its own grade; the engine learns from what you export.
Show base conversion (B)
Pre-grade roll
Accept confident
Film baseAuto
Clear rebate (left, right)
T 0.145 / 0.185 / 0.076
Base from selection
Share leader reading across the roll
Negative
Positive
Split
Fit
100 %
Not developed
POSITIVE · NAMIBIA-281.ARW · 7623×5908 PXCropped to the image area inside the rebate.
Frame 07 / 22
Export frame
Export roll
To: Developed
HistogramBlack 15.7 % · White 0.0 %
Copy
Paste
To all
Tone
Colour
Detail
Curves
CurvesReset
RGB
Luma
R
G
B
Drag the curve to add or move a point. Double-click a point to remove it.
RECORD
I
Capture
Develop
Style
Help
V1.0
Roll22 frames · 0 developed
RECORD…amples
Rotate and cropReset
To roll
Straighten degrees0.0°
Crop to selection
Image area
Style
ProfileMy style
Film stockKodak Portra 800
This frame carries its own grade; the engine learns from what you export.
Show base conversion (B)
Pre-grade roll
Accept confident
Film baseAuto
Clear rebate (left, right)
T 0.166 / 0.459 / 0.337
Base from selection
Share leader reading across the roll
Negative
Positive
Split
Fit
100 %
Not developed
SPLIT · NAMIBIA-387.ARW · 100 % OF 7599×5908Cropped to the image area inside the rebate.
Frame 14 / 22
Export frame
Export roll
To: Developed
HistogramBlack 0.0 % · White 0.0 %
Copy
Paste
To all
Tone
Colour
Detail
Curves
ToneReset
From negative
Auto per frame
Full range
Flextight print
Exposure stops+0.27
Contrast 1.08
Blacks +1
Whites 0
Saturation Lab1.11

Negative beside positive.

Split view puts the raw negative next to the converted frame, at 100 percent if you need it. Check grain and edges against the original before you export.

Your style, in plain words.

Your Portra 400 style

“You run Portra 400 about 300 K warmer than the base, with lifted shadows and lower saturation.”

Each profile describes its tendencies, so you always know what the engine is doing.

Stays yours. Stays on your computer.

On device

Scans, edits and learning stay on your Mac. Learning runs in the background and pauses on battery.

Roll back anytime

Restore an earlier version of a style, leave out a week of experiments, or reset a profile.

One profile per look

Keep separate styles per client or per job on the same stock: warm for one, clean for another.

Starts from the lab look

A new stock opens in the base conversion and borrows from similar films until it has enough of your edits.

Hands on the keyboard.

Space

Start a roll

⌘ .

Stop

⌘ 0

Home the film

←

Previous or next frame

Included with every scanner.

RECORD I ships with KBS MKI and MFS MKI. No licence to buy, no subscription.

Made with passion. For the film obsessed.

If you scan one roll a month, a simple holder will serve you well. KBS MKI and MFS MKI are for the photographer with a stack of developed rolls on the desk and clients waiting for files.

Meet the people behind it

→

Gloved hands holding a General Film Labs film carrier over a light table

Made with passion. For the film obsessed.

If you scan one roll a month, a simple holder will serve you well. KBS MKI and MFS MKI are for the photographer with a stack of developed rolls on the desk and clients waiting for files.

Meet the people behind it

→

Gloved hands holding a General Film Labs film carrier over a light table

Made with passion. For everyone who still shoots film.

If you scan one roll a month, a simple holder will serve you well. KBS MKI and MFS MKI are for the photographer with a stack of developed rolls on the desk and clients waiting for files.

Meet the people behind it

→

Gloved hands holding a General Film Labs film carrier over a light table

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Designed and tested on real film by photographers who shoot it every week.

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RECORD I

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